A business grammar decidedly variable geometryThe new ceiling be zero rate loan it says in the Elysee PalaceReconstruction of facts said us anything else000 daily barrels in November either 645This represents nearly 190000 young each yearThe unsuccessful will be many including in the ranks of the French banksA calendar of ambitious if not unrealisticThese software can be divided into two categoriesBush is still the tenant of the White HouseAnd the crisis could last about two yearsAlways inspired the couple Jaoui-Bacri poster, this already fall mid-September, "tell me rain"! A title which also has nothing to do with the history, that of a feminist dropped by parachute in the election campaign in the city of his childhood. Written and interpreted at two, in counterpoint, in the skin of a beur las to be subject to "the ordinary humiliation" a Jamel Debbouze also sobre that convincing, the third film of Agnès Jaoui ("The taste of others", "as an image") is probably a little décousu. But intelligent, beautifully creaking, funny often and always a lucidity on our small weaknesses, individual and collective flux. Not care about little two other large pieces of the week, which prefer to speak of love.
"Beautiful person" draws "The Princess of Cleves". Because Nicolas Sarkozy, himself having "suffered" once in the student, was surprised to see this classic of Ms. de La Fayette proposed the contest post (!), Christophe Honoré ("the love songs") sought to demonstrate the eternal youth. Adapting to our today, it is heroin (Léa Seydoux, fruity) Junior a schoolgirl who, neglecting his very wise friend class yet crazy, has eyes only for their spirited prof of Italian, too dark to be honest (it is Louis Garrel), then waived for do not have to suffer. If you have not already seen him last Friday on Arte, you can go to dream your soaring teens...
"Coup of lightning to Rhode Island", Peter Hedges, is more conventional: a widower upon of an unknown in a bookstore and then is found in the family home vacation: it's the new girlfriend of his brother. Corneille, This (little) new version of the romantic comedy Hollywood would forget if, facing weak Steve Carell (also in "Max the threat"), it is discovered, in the skin of the beautiful, our Juliette Binoche. In beauty, it barely, however, convince us of the virtues of the company...
What else A flee, something signed Madonna, entitled pompously "obscenity and virtue". to encourage, a small U.S. independent film sympathetically minstrel, "Frownland" of Ronald Bronstein, portrait of a quasi-autiste of Queens; and to welcome a documentary, "It's hard to be loved by a cons", on the trial to "Charlie Hebdo" after publication of the cartoons of Muhammad. What to prepare for the rains to fall, especially if one adds to the Parisians, the resumption of "Macao" in Josef von Sternberg, with Robert Mitchum and Jane Russell, and the retrospective belle of the "American cinema of the 1970s", Spielberg, Lumet, Scorsese and other...
Always on display
Remember a rich summer: first, winning at Cannes, "Gomorra", from Matteo Garrone, masterful docu-fiction on the Neapolitan mafia, and "Le Silence de lorna", of the Dardenne brothers, poignant story of a young Albanian came enriched in Belgium to the risk to lose his soul; then, rewarded in Berlin, "Be Happy", Mike Leigh, irresistible portrait bittersweet of an indomitable optimist. And, again, the sensitive "load-bearing walls" of Cyril Gelblat, where Miou-Mou and Charles Berling supports their Jewish mother with Alzheimer's, and "Versailles", Pierre Schoeller, for a truer than nature in SDF solitary Guillaume Depardieu. And also, more cynico-smiling, "The daughter of Monaco", Anne Fontaine, nice number Luchini in frigid lawyer wracked by belle Louise Bourgoin.
